The Art of Tetman Callis

“Somewhere on the periphery of that total Vietnam issue whose daily reports made the morning papers too heavy to bear, lost in the surreal contexts of television, there was a hideous war and all kinds of victims. But there was also a Command that didn’t feel this, that rode us into attrition traps on the backs of fictional kill ratios, and an Administration that believed the Command, a cross-fertilization of ignorance, and a press whose tradition of objectivity and fairness (not to mention self-interest) saw that all of it got space. It was inevitable that once the media took the diversions seriously enough to report them, they also legitimized them. The spokesmen spoke in words that had no currency left as words, sentences with no hope of meaning in the sane world, and if much of it was sharply queried by the press, all of it got quoted. The press got all the facts (more or less), it got too many of them. But it never found a way to report meaningfully about death, which of course was really what it was all about.” – Michael Herr, Dispatches