Month: November 2017

“No one achieves excellence in his life task without love for it, in himself without love for himself, or in his family without love for his home. Love brings everything to flower, each in terms of its own potential, and so is the true pedagogue of the open, free society.” – Joseph Campbell, The Masks of God: Occidental Mythology

“The world is full of origin myths, and all are factually false. The world is full, also, of great traditional books tracing the history of man (but focused narrowly on the local group) from the age of mythological beginnings, through periods of increasing plausibility, to a time almost within memory, when the chronicles begin to carry the record, with a show of rational factuality, to the present. Furthermore, just as all primitive mythologies serve to validate the customs, systems of sentiments, and political aims of their respective local groups, so do these great traditional books. On the surface they may appear to have been composed as conscientious history. In depth they reveal themselves to have been conceived as myths: poetic readings of the mystery of life from a certain interested point of view. But to read a poem as a chronicle of fact is—to say the least—to miss the point. To say a little more, it is to prove oneself a dolt. And to add to this, the men who put these books together were not dolts but knew precisely what they were doing—as the evidence of their manner of work reveals at every turn.” – Joseph Campbell, The Masks of God: Occidental Mythology

“In the older mother myths and rites the light and darker aspects of the mixed thing that is life had been honored equally and together, whereas in the later, male-oriented, patriarchal myths, all that was good and noble was attributed to the new, heroic master gods, leaving to the native nature powers the character only of darkness—to which, also, a negative moral judgment now was added. For, as a great body of evidence shows, the social as well as mythic orders of the two contrasting ways of life were opposed. Where the goddess had been venerated as the giver and supporter of life as well as consumer of the dead, women as her representatives had been accorded a paramount position in society as well as in cult. Such an order of female-dominated social and cultic custom is termed, in a broad and general way, the order of Mother Right. And opposed to such, without quarter, is the order of the Patriarchy, with an ardor of righteous eloquence and a fury of fire and sword.” – Joseph Campbell, The Masks of God: Occidental Mythology

“Step right up; show me your life. I’ll show you the story you’re in. Nothing more important in this world, kid. Figure that out and you’re halfway out of the dark. Call them fairy tales, if that makes you feel good. If you call them fairy tales, then you don’t have to believe you’re in one. It’s all about seeing the pattern—and the pattern is always there. It’s a vicious circle: the story gets told because the pattern repeats, and the pattern repeats because the story gets told.” – Catherynne M. Valente, “The Consultant”

“In Egypt a sequence of psychological stages progressed (or, if the reader prefers, declined) from a state of mythic identification, through inflation, to mythic subordination, and in the last of these a certain standard of human decency not inherent in the order of nature was by projection attributed to God. The Pharaoh—that great ‘Nature Boy’—was thereby subdued to human virtue without damage to his sense of participation in the virtue of divinity. But in Mesopotamia this highly flattering sense of participation in divinity dissolved. The king was no longer the Great God, nor even, as in Egypt, the Good God, but the Tenant Farmer of the God. And this mythological rupture set the two orders of nature and humanity apart, without converting man fully, however, to the courage of his own rational judgments. As a consequence, a pathos of anxiety developed in which all the nursery agonies of a child striving to gain parental favor were translated into a cosmological nightmare of mythic dependency, characterized by alternate gains and loss of divine support, and finally a mordant, rat-toothed sense of intrinsic human guilt.” – Joseph Campbell, The Masks of God: Oriental Mythology

“We do not have ideology. We do not have theology. We dance.” – Unidentified Shinto priest (quoted by Joseph Campbell in The Masks of God: Oriental Mythology)