The Art of Tetman Callis Lit & Crit How one or two things work

How one or two things work

“Editing has pushed me to recognize when my own work is not succeeding and how essential revision is to the process. It’s also taught me that belief in a piece is essential to publication. Editing inspires, perhaps even demands, belief in a poem or story, enough to publish work that’s operating at its best quality.  Also, to be on this end of the process increases my enthusiasm about submitting my own work and helps me accept any rejections. Because I’ve been in the position of saying, ‘We already have a story about ninja alien cats so while this is a good story, it’s too much ninja alien cats for one issue.’ So in that respect, I’m more accepting of rejection as a natural occurrence in the submissions process. On the flip side though, having edited and sent acceptances, I know it happens, that this isn’t some weird numbers game, that if the work demonstrates quality writing and is a good fit for a journal, it will get accepted.” – Gina Keicher (quoted in “An Interview with the Editors of Salt Hill,” by Roxane Gay)

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