“There may be vice arising from hypersensitiveness just as much as from the lack of it. Perhaps it is only in really vicious lives that the problem of morality can arise in all its disquieting strength. And to this problem the artist offers a solution in the terms not of his own personal life but of what is for him his true life, a general, a literary solution. As the great Doctors of the Church began often, while remaining good, by experiencing the sins of all mankind, out of which they drew their own personal sanctity, so great artists often, while being wicked, make use of their vices in order to arrive at a conception of the moral law that is binding upon us all. It is the vices (or merely the weaknesses and follies) of the circle in which they live, the meaningless conversation, the frivolous or shocking lives of their daughters, the infidelity of their wives, or their own misdeeds that writers have most often castigated in their books, without, however, thinking to alter their way of life or improve the tone of their household.” – Marcel Proust, Within a Budding Grove (trans. Moncrieff and Kilmartin)