The Art of Tetman Callis

“Full-dress close readings, now as ever, can be showy or strained. They can also be dim, thin, derivative or pedestrian and, when motivated by a history of injury, sulky or venomous. But, now as ever, they can offer those who hear or read them potentially illuminating engagements with regions of language, thought and experience not otherwise commonly encountered.” – Barbara Hernnstein Smith, “What Was ‘Close Reading’?”