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“The melancholy of the adult state arises from our dual, conflicting experience that, on the one hand, our absolute, youthful confidence in an inner voice has diminished or died, and, on the other hand, that the outside world to which we now devote ourselves in our desire to learn its ways and dominate it will never speak to us in a voice that will clearly tell us our way and determine our goal. The heroes of youth are guided by the gods: whether what awaits them at the end of the road are the embers of annihilation or the joys of success, or both at once, they never walk alone, they are always led. Hence the deep certainty with which they proceed: they may weep and mourn, forsaken by everyone, on a desert island, they may stumble to the very gates of hell in desperate blindness, yet an atmosphere of security always surrounds them; a god always plots the hero’s paths and always walks ahead of him.” – Georg Lukács, The Theory of the Novel (trans. Anna Bostock)

Published inGeorg LukácsLit & Crit

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