The Art of Tetman Callis

“No amount of relativism, no degree of deconstruction, no namby-pamby pluralism, despite debunking, the disclosure of bias, the so-called unreliability of observers and their cultural conditioning—their class and color blindness—or the oft-bewailed problems of representation, language’s betrayal of the mind, should be allowed to shake the singleness, consistency, and wholeness of any happening.” — William H. Gass, “There Was an Old Woman Who,” from Tests of Time