1 + 1 = story

“An image presented to us by life brings with it, in a single moment, sensations which are in fact multiple and heterogeneous. The sight, for instance, of the binding of a book once read may weave into the characters of its title the moonlight of a distant summer night. The taste of our breakfast coffee brings with it that vague hope of fine weather which so often long ago, as with the day still intact and full before us, we were drinking it out of a bowl of white porcelain, creamy and fluted and itself almost looking like vitrified milk, suddenly smiled upon us in the pale uncertainty of the dawn. An hour is not merely an hour, it is a vase full of scents and sounds and projects and climates, and what we call reality is a certain connexion between these immediate sensations and the memories which envelope us simultaneously with them—a connexion that is suppressed in a simple cinematographic vision, which just because it professes to confine itself to the truth in fact departs widely from it—a unique connexion which the writer has to rediscover in order to link forever in his phrase the two sets of phenomena which reality joins together. He can describe a scene by describing one after another the innumerable objects which at a given moment were present at a particular place, but truth will be attained by him only when he takes two different objects, states the connexion between them—a connexion analogous in the world of art to the unique connexion which in the world of science is provided by the law of causality—and encloses them in the necessary links of a well-wrought style; truth—and life too—can be attained by us only when, by comparing a quality common to two sensations, we succeed in extracting their common essence and in reuniting them to each other, liberated from the contingencies of time, within a metaphor.” – Marcel Proust, Time Regained (trans. Moncrieff and Kilmartin)

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