The Art of Tetman Callis

“I am often on guard over the Russians. In the darkness one sees their forms move like sick storks, like great birds. They come close up to the wire fence and lean their faces against it; their fingers hook round the mesh. Often many stand side by side, and breathe the wind that comes down from the moors and the forest. They rarely speak and then only a few words. They are more human and more brotherly towards one another, it seems to me, than we are. But perhaps that is merely because they feel themselves to be more unfortunate than us. Anyway the war is over so far as they are concerned. But to wait for dysentery is not much of a life either. The Territorials who are in charge of them say that they were much more lively at first. They used to have intrigues among themselves, as always happens, and it would often come to blows and knives. But now they are quite apathetic and listless; most of them do not masturbate any more, they are so feeble, though otherwise things come to such a pass that whole huts full of them do it. They stand at the wire fence; sometimes one goes away and then another at once takes his place in the line. Most of them are silent; occasionally one begs a cigarette butt. I see their dark forms, their beards move in the wind. I know nothing of them except that they are prisoners; and that is exactly what troubles me. Their life is obscure and guiltless;—if I could know more of them, what their names are, how they live, what they are waiting for, what are their burdens, then my emotion would have an object and might become sympathy. But as it is I perceive behind them only the suffering of the creature, the awful melancholy of life and the pitilessness of men.” – Erich Maria Remarque, All Quiet on the Western Front (trans. Wheen)