The Art of Tetman Callis

“Many people of later generations and all nationalities have viewed the dropping of atomic weapons on Japan as events which, in their unique horror, towered over the war as a dark mountain bestrides the plain. In one sense this perception is correct, because the initiation of the nuclear age provided mankind with unprecedented power to destroy itself. . . . To grasp the context in which the commitment to bomb Hiroshima was made, it seems necessary to acknowledge the cacophony amidst which all those involved, the political and military leaders of the U.S., were obliged to do their business. These were men in their fifties and sixties, weary after years of perpetual crisis such as world war imposes, bombarded daily with huge dilemmas. Europe was in ruins and chaos, the Western Allies striving to contend with Stalin’s ruthlessness and greed, Britain’s bankruptcy, the starvation of millions. . . . The U.S. found itself obliged to arbitrate upon the future of half the world, while being implored to save as much as possible of the other half from the Soviets, even as war with Japan continued and mankind recoiled in horror from newsreel films of Hitler’s death camps. . . . The bomb was only the foremost of many huge issues with which these mortal men, movingly conscious of their own limitations, strove to grapple. In the course of directing a struggle for national survival, all had been obliged to make decisions which had cost lives, millions of lives, of both Allied servicemen and enemy soldiers and civilians. Most would have said wryly that this is what they were paid for. The direction of war is never a task for the squeamish.” – Max Hastings, Retribution