“It is through the Young-Girl that capitalism has managed to extend its hegemony to the totality of social life. She is the most obstinate pawn of market domination in a war whose objective remains the total control of daily life and ‘productive’ time. It is precisely because she represents the total acculturation of the self, because she defines herself in terms fixed by extraneous judgment, that the Young-Girl constitutes the most advanced carrier of the ethos and the abstract behavioral norms of the Spectacle.” – Tiqqun, Preliminary Materials For a Theory of the Young-Girl