The Art of Tetman Callis

“Most people in the industrial world believe in progress the way that peasants in the Middle Ages believed in the wonder-working bones of the local saint. It’s an unquestioned truism in contemporary culture that newer technologies are by definition better than older ones, that old beliefs are disproved by the mere passage of time, and that the future ahead of us will inevitably be like the present, but even more so. For all practical purposes, belief in progress is the established religion of the modern world, with its own mythology — think of all the stories you got in school about brilliant thinkers single-handedly overturning the superstitious nonsense of the past — and its own lab-coated priesthood. Most people these days literally can’t think outside the box of progress. That’s why the only alternative to the endless continuation of business as usual that has any kind of public presence these days is apocalypse — some sudden catastrophe gaudy enough to overwhelm the otherwise unstoppable force of progress. The faith in apocalypse is simply the flipside of the faith in progress — instead of a bigger, better, brighter future, we get a bigger, better, brighter cataclysm. Suggest that the future ahead of us might not be either of those hackneyed stereotypes, and you can count on hearing the echoing bang of minds slamming shut.” – John Michael Greer (interview with Jessa Crispin in Bookslut)