Song sung blueSong sung blue
“The Ukrainian national anthem begins with the words, ‘Ukraine has not yet perished,’ hardly an optimistic beginning for any kind of song.” – Serhii Plokhy, The Gates of Europe
“The Ukrainian national anthem begins with the words, ‘Ukraine has not yet perished,’ hardly an optimistic beginning for any kind of song.” – Serhii Plokhy, The Gates of Europe
“Is it not well that even for a little time the light of life shine—though it shine through fear and sadness—than be cut off altogether? For who knows where the trails tend that lead through the darkness of the night of death?” – The Elder Maiden of Héshokta, “Átahsaia the Cannibal Demon,” Zuñi Folk Tales (recorded & translated by Frank Cushing)
“My face is in front of me, and under a roof is no place for men.” – Mátsailéma, “Átahsaia the Cannibal Demon,” Zuñi Folk Tales (recorded & translated by Frank Cushing)
“ ‘Ye of the Home of the Eagles! Ye do I now inform, whomsoever of ye would gather datilas, whomsoever of ye would gather piñon nuts, whomsoever of ye would gather grass-seed, that bread may be made, hie ye over the mountains, and gather them to your hearts’ content, for I have driven the Bear away!’ A few believed in what the boy said; and some, because he was ugly, would not believe it and would not go; and thus were as much hindered from gathering grass-seed and nuts for daily food as if the Bear had been really there. You know people nowadays are often frightened by such a kind of Bear as this.” – “The Ugly Wild Boy Who Drove the Bears away from South-Eastern Mesa,” Zuñi Folk Tales (recorded & translated by Frank Cushing)
“Pretty girls care very little how their husbands look, being pretty enough themselves for both. But they like to have them able to think and guess at a way of getting along occasionally.” – “How the Corn-Pests Were Ensnared,” Zuñi Folk Tales (recorded & translated by Frank Cushing)
“Now, there are two kinds of laugh with women. One of them is a very good sort of thing, and makes young men feel happy and conceited. The other kind is somewhat heartier, but makes young men feel depressed and very humble.” – “How the Corn-Pests Were Ensnared,” Zuñi Folk Tales (recorded & translated by Frank Cushing)
“In individual experience immediacy is never fully enjoyed; satisfaction is a subsequent affair. Existence is ever-not-quite. We look to the past for the source of our enjoyment. That backward look, in fact, constitutes our enjoyment.” – David L. Hall, “Culture, History, and the Retrieval of the Past” (emphasis in original)
“Were I outside time, able to dip into it here or there at will, I should have little trouble in retrieving a specific past moment. I am, however, inexorably constituted by time, for without memory I should have no means of having, of being, a self. Only by remembering my self may I remain a self. In some crucial sense, I am my memories.” – David L. Hall, “Culture, History, and the Retrieval of the Past” (emphasis in original)
“No one owns anyone’s culture, and that to believe otherwise is to deprive us of the human fullness and richness we all deserve. To reconcile this insight with an equally compelling American truth—that racial injustice is our inheritance and our responsibility—is the challenge for every artist and critic, black or white.” – George Packer, “Race, Art, and Essentialism”
“Both virtue and art are always concerned with what is harder, for success is better when it is hard to achieve.” – Aristotle, Nicomachean Ethics, Book 2, Ch. 3
“He who cannot see the truth for himself, nor, hearing it from others, store it away in his mind, that man is utterly useless.” – Hesiod, Works and Days (trans. Richmond Lattimore)
“Fueled by self-love, the I is at its most garrulous inside its lonely garage.” – Will Schutt, “Storm”
“Writing is like driving at night in the fog. You can only see as far as your headlights, but you can make the whole trip that way.” – E. L. Doctorow
“How do people come to know themselves? One way is by reading fiction. The profound act of empathy demanded by a novel, forcing the reader to suspend disbelief and embody a stranger’s skin, prompts reflection and self-questioning. But most people don’t read novels.” – Nathaniel Rich, “James Baldwin & the Fear of a Nation”
“People who shut their eyes to reality simply invite their own destruction, and anyone who insists on remaining in a state of innocence long after that innocence is dead turns himself into a monster.” – James Baldwin, “Stranger in the Village”
“A novel insistently demands the presence and passion of human beings, who cannot ever be labeled. Without this passion we may all smother to death, locked in those airless, labeled cells, which isolate us from each other and separate us from ourselves.” – James Baldwin, “Preservation of Innocence”
“In good fiction, as in real life, there tend not to be sentimental heroes and cruel villains but only deeply compromised human beings who struggle with their sins and shortcomings as best they can.” – Nathaniel Rich, “James Baldwin & the Fear of a Nation”
“Race was—is—the fundamental American issue, underlying not only all matters of public policy (economic inequality, criminal justice, housing, education) but the very psyche of the nation.” – Nathaniel Rich, “James Baldwin & the Fear of a Nation”
“Hatred, which could destroy so much, never failed to destroy the man who hated and this was an immutable law.” – James Baldwin, “Notes of a Native Son”
“Police killings of unarmed black children, indifference to providing clean drinking water to a majority-black city, or efforts to curtail the voting rights of minority citizens are not freak incidents but outbreaks of a chronic national disease.” – Nathaniel Rich, “James Baldwin & the Fear of a Nation”
“A real writer is always shifting and changing and searching.” – James Baldwin (quoted by Nathaniel Rich in “James Baldwin & the Fear of a Nation”)
“If it were in my power to change the mercantile laws of literary society, I could easily spin out my existence writing and rewriting the same story in the hope that I might end up understanding it and making it clear to others.” – Ignazio Silone (quoted by Dorothy Day in The Catholic Worker, January 1968)
“The industrial world destroys nature not because it doesn’t love it but because it is not afraid of it.” – Mary Ruefle, “On Fear”
“Seduction is the new opium of the masses. It is liberty for a world without liberty, joy for a world without joy.” – Tiqqun, Preliminary Materials for a Theory of the Young-Girl (trans. Reines)
“Great pressure is brought to bear to make us undervalue ourselves. On the other hand, civilization teaches that each of us is an inestimable prize. There are, then, these two preparations: one for life and the other for death. Therefore we value and are ashamed to value ourselves, are hard-boiled. We are schooled in quietness and, if one of us takes his measure occasionally, he does so coolly, as if he were examining his fingernails, not his soul, frowning at the imperfections he finds as one would at a chip or a bit of dirt. Because, of course, we are called upon to accept the imposition of all kinds of wrongs, to wait in ranks under a hot sun, to run up a clattering beach, to be sentries, scouts or workingmen, to be those in the train when it is blown up, or those at the gates when they are locked, to be of no significance, to die. The result is that we learn to be unfeeling toward ourselves and incurious. Who can be the earnest huntsman of himself when he knows he is in turn a quarry? Or nothing so distinctive as quarry, but one of a shoal, driven toward the weirs.” – Saul Bellow, Dangling Man
“Supply is supply, and demand is demand. They will be satisfied, be it with combs, fifes, rubber, whisky, tainted meat, canned peas, sex, or tobacco. For every need there is an entrepreneur, by a marvelous providence. You can find a man to bury your dog, rub your back, teach you Swahili, read your horoscope, murder your competitor. In the megalopolis, all this is possible. There was a Parisian cripple in the days of John Law, the Scottish speculator, who stood in the streets renting out his hump for a writing desk to people who had no convenient place to take their transactions.” – Saul Bellow, Dangling Man
“I started back, choosing unfamiliar streets. They turned out to be no different from the ones I knew.” – Saul Bellow, Dangling Man
“Trouble, like physical pain, makes us actively aware that we are living, and when there is little in the life we lead to hold and draw and stir us, we seek and cherish it.” – Saul Bellow, Dangling Man
“The worlds we sought were never those we saw; the worlds we bargained for were never the worlds we got.” – Saul Bellow, Dangling Man
“All comfort in life is based upon a regular occurrence of external phenomena. The changes of the day and night, of the seasons, of flowers and fruits, and all other recurring pleasures that come to us, that we may and should enjoy them—these are the mainsprings of our earthly life. The more open we are to these enjoyments, the happier we are; but if these changing phenomena unfold themselves and we take no interest in them, if we are insensible to such fair solicitations, then comes on the sorest evil, the heaviest disease—we regard life as a loathsome burden.” – Johann Wolfgang von Goethe, Poetry and Life