ThingsThings
Dying Butterfly on David Compton’s Hand, 1980 by Tetman Callis
Author: Tetman Callis
The webs we weaveThe webs we weave
“Social democracy is impossible without political and cultural pluralism, but such pluralism is inconceivable in the absence of markets geared toward decentered consumer choices, which are in turn dependent on price systems, advertisements, novelty, and fashion; in other words, on the bad taste, bad faith, and bad manners that come with ‘reification,’ aka consumer culture. When the economic future is left in the hands of the oligarchs – the best and the brightest, those who know what’s good for us, whether they’re from the Politburo, Harvard, or Goldman Sachs – the political future will be theirs, too. Like capitalism, and like democracy, socialism needs markets to thrive, and vice versa.” – James Livingston, “How the Left Has Won”
ThingsThings
Ocotillo, 1984 by Tetman Callis
Power to the peoplePower to the people
“Socialism resides in and flows from markets as modulated and administered by corporations, trade unions, consumer associations, and other interest groups as well as from public policy, executive orders, regulatory agencies, court decisions, or five-year plans. In its original nineteenth-century definitions, and in later translations by Solidarity in Poland and Charter 77 in Czechoslovakia, “socialism” signified a demand for the supremacy of civil society over the state; it thus carried profoundly liberal, pro-market, yet anticapitalist connotations. It meant the “self-management” of society as well as the workplace – the sovereignty of the people – and by the late twentieth century it was profoundly realistic in view of new thinking about markets and new intellectual capacities enabled by universal education and mass communications.” – James Livingston, “How the Left Has Won”
PlacesPlaces
Mt. Cristo Rey, 1980 by Tetman Callis
Happy New YearHappy New Year
“Firearms are potent objects of power; someone who picks up a gun instantly alters his status and relationship to those around him. They provide a quick fix to those feeling profoundly impotent and without recourse. This alteration is the reason that certain young people, feeling especially vulnerable and powerless in their teen-age years, are attracted to violent gun use. It is the reason that members of a neighborhood watch might feel the need to arm themselves. The criminal use of guns is a symptom of larger problems of disempowerment in this country. The answer is not to ban firearms or even regulate them–something I happen to support–but to provide the social, economic, and emotional tools that citizens need to feel a sense of control over their lives. Guns have become such strong symbols of violence and supremacy that it is much easier to talk about firearms regulation than to talk about the complex social and racial issues in this country, including Americans’ lack of access to adequate mental-health care. The problem isn’t that it is easy to get a gun in America; the problem is that obtaining a gun is easier than getting therapy, or achieving racial equality and financial stability.” — Barbara Eldredge, “To Keep and Bear Arms”
ExtraordinaryExtraordinary
Never is a long timeNever is a long time
“There was so much to write. He had seen the world change; not just the events; although he had seen many of them and had watched the people, but he had seen the subtler change and he could remember how the people were at different times. He had been in it and he had watched it and it was his duty to write of it; but now he never would.” – Ernest Hemingway, “The Snows of Kilimanjaro”
ThingsThings
El Paso, 1974 by Tetman Callis
Put that in your gun and shoot itPut that in your gun and shoot it
“Until we have created a romance of peace that would equal that of war, violence will not disappear from people’s lives.” – Count Harry Kessler (quoted by Alex Ross in “Diary of an Aesthete”)
PeoplePeople
Fighting Schoolgirls, 1974 by Tetman Callis
The fascination malingersThe fascination malingers
“Junkies and alcoholics are interesting to watch for about five minutes, and then the tedium of their bottomless need, their self-aggrandizing defensiveness, sinks in, and you want to tun screaming for your life—because they’ll suck it out of you, given the chance.” – Hilton Als, “Down but Not Defeated”
PeoplePeople
Dancers, 1992 by Tetman Callis
Teaching to the choirTeaching to the choir
“Editorial writers can seem the most insipid and helpless of the scribbling class: they sum up anonymously the ideas of their time, and truth and insipidity do a great deal of close dancing–the right thing to do is often hard but seldom surprising. Good editorial writing has less to do with winning an argument, since the other side is mostly not listening, than with telling the guys on your side how they ought to sound when they’re arguing.” — Adam Gopnik, “Facing History”
ThingsThings
Planetary Conjunction, November 1980, by Tetman Callis
Wait till you see what’s for supper before you decideWait till you see what’s for supper before you decide
“The big question Camus asked was never the Anglo-American liberal one: How can we make the world a little bit better tomorrow? It was the grander French one: Why not kill yourself tonight?” — Adam Gopnik, “Facing History”
PeoplePeople
Children Playing with Flashlights, 1992 by Tetman Callis
Gone boxingGone boxing
“Only the boring are bored.” – Tommy Lee Jones (quoted by Meg Grant in “Fighting for Love”)
ThingsThings
El Paso, 1980 by Tetman Callis
Merry ChristmasMerry Christmas
“They who tell the people revolutionary legends, they who amuse themselves with sensational stories, are as criminal as the geographer who would draw up false charts for navigators.” – Sean Bonney, Happiness (Poems after Rimbaud)
PlacesPlaces
El Paso, 1973 by Tetman Callis
In the midst of the garden there are two treesIn the midst of the garden there are two trees
“All things truly wicked start from an innocence.” – Ernest Hemingway, A Moveable Feast
PlacesPlaces
Denver Sunrise, 1992 by Tetman Callis
A species of leechA species of leech
“When you have two people who love each other, are happy and gay and really good work is being done by one or both of them, people are drawn to them as surely as migrating birds are drawn at night to a powerful beacon. If the two people were as solidly constructed as the beacon there would be little damage except to the birds. Those who attract people by their happiness and their performance are usually inexperienced. They do not know how not to be overrun and how to go away. They do not always learn about the good, the attractive, the charming, the soon-beloved, the generous, the understanding rich who have no bad qualities and who give each day the quality of a festival and who, when they have passed and taken the nourishment they needed, leave everything deader than the roots of any grass Attila’s horses’ hooves have ever scoured.” – Ernest Hemingway, A Moveable Feast
PlacesPlaces
Denver Moonrise, 1992 by Tetman Callis
The promise that you don’t have to keepThe promise that you don’t have to keep
An appetite for itAn appetite for it
“I learned to understand Cézanne much better and to see truly how he made landscapes when I was hungry. I used to wonder if he were hungry too when he painted; but I thought possibly it was only that he had forgotten to eat.” – Ernest Hemingway, A Moveable Feast
PlacesPlaces
Denver, 1992 by Tetman Callis
Happy New Year, you sweet Druid, youHappy New Year, you sweet Druid, you
http://www.youtube.com/watch?v=8kx8wGRNZX4&list=ALBTKoXRg38BD32LxD4xV3RePKu1nQIetB