“She had never had to deal with a policeman in her life, and it had never entered her mind to feel menaced by one. Policemen were neither friends nor enemies; they were part of the landscape, present for the purpose of upholding law and order; and if a policeman—for she had never thought of them as being very bright—seemed to forget his place, it was easy enough to make him remember it. Easy enough if one’s own place was more secure than his, and if one represented, or could bring to bear, a power greater than his own. For all policemen were bright enough to know who they were working for, and they were not working, anywhere in the world, for the powerless.” – James Baldwin, Another Country
Category: Lit & Crit
“Don’t fear the dog that barks, but fear the dog that’s quiet.” – Anton Chekhov, “The Chattel” (trans. Constance Garnett)
“When women feel that they are in the right, they scold and shed tears; when they are conscious of being in fault, they shed tears only.” – Anton Chekhov, “The Chattel” (trans. Constance Garnett)
“French logic is very simple. Whatever the French do is logical because the French are doing it.” – James Baldwin, Another Country
“The trouble with a secret life is that it is very frequently a secret from the person who lives it and not at all a secret for the people he encounters. He encounters, because he must encounter, those people who see his secrecy before they see anything else, and who drag these secrets out of him; sometimes with the intention of using them against him, sometimes with more benevolent intent; but, whatever the intent, the moment is awful and the accumulating revelation is an unspeakable anguish. The aim of the dreamer, after all, is merely to go on dreaming and not to be molested by the world. His dreams are his protection against the world. But the aims of life are antithetical to those of the dreamer, and the teeth of the world are sharp.” – James Baldwin, Another Country (emphasis in original)
“Strangers’ faces hold no secrets because the imagination does not invest them with any. But the face of a lover is an unknown precisely because it is invested with so much of oneself. It is a mystery, containing, like all mysteries, the possibility of torment.” – James Baldwin, Another Country
“The occurrence of an event is not the same thing as knowing what it is that one has lived through. Most people had not lived—nor could it, for that matter, be said that they had died—through any of their terrible events. They had simply been stunned by the hammer. They passed their lives thereafter in a kind of limbo of denied and unexamined pain.” – James Baldwin, Another Country
“Whenever my environment had failed to support or nourish me, I had clutched at books; consequently, my belief in books had risen more out of a sense of desperation than from any abiding conviction of their ultimate value. . . . It had been my accidental reading of fiction and literary criticism that had evoked in me vague glimpses of life’s possibilities.” – Richard Wright, Black Boy
“If I were a member of the class that rules, I would post men in all the neighborhoods of the nation, not to spy upon or club rebellious workers, not to break strikes or disrupt unions; but to ferret out those who no longer respond to the system in which they live. I would make it known that the real danger does not stem from those who seek to grab their share of wealth through force, or from those who try to defend their property through violence, for both of those groups, by their affirmative acts, support the values of the system in which they live. The millions that I would fear are those who do not dream of the prizes that the nation holds forth, for it is in them, though they may not know it, that a revolution has taken place and is biding its time to translate itself into a new and strange way of life.” – Richard Wright, Black Boy
“Our too-young and too-new America, lusty because it is lonely, aggressive because it is afraid, insists upon seeing the world in terms of good and bad, the holy and the evil, the high and the low, the white and the black; our America is frightened of fact, of history, of processes, of necessity. It hugs the easy way of damning those whom it cannot understand, of excluding those who look different, and it salves its conscience with a self-draped cloak of righteousness.” – Richard Wright, Black Boy
“Among the topics that southern white men did not like to discuss with Negroes were the following: American white women; the Ku Klux Klan; France, and how Negro soldiers fared while there; Frenchwomen; Jack Johnson; the entire northern part of the United States; the Civil War; Abraham Lincoln; U. S. Grant; General Sherman; Catholics; the Pope; Jews; the Republican party; slavery; social equality; Communism; Socialism; the 13th, 14th, and 15th Amendments to the Constitution; or any topic calling for positive knowledge or manly self-assertion on the part of the Negro.” – Richard Wright, Black Boy
“Mama says she named me by flipping open her English textbook to a random page and pointing. Angela, it said, like an angel. I know this story is fake, because if it were real, my name would be something like Fish or Lawyer.” – Angie Sijun Lou, All We Ask Is You to be Happy (emphasis in original)
“There is no known historical period when the Sahara has not been inhabited by man. Most of the other larger forms of animal life, whose abode it formerly was, have become extinct. If we believe the evidence of cave drawings, we can be sure that the giraffe, the hippopotamus and the rhinoceros were once dwellers in the region. The lion has disappeared from North Africa in our own time, likewise the ostrich. Now and then a crocodile is still discovered in some distant, hidden oasis pool, but the occurrence is so rare that when it happens it is a great event. The camel, of course, is not a native of Africa at all, but an importation from Asia, having arrived approximately at the time of the end of the Roman Empire—about when the last elephants were killed off. Large numbers of the herds of wild elephants that roamed the northern reaches of the desert were captured and trained for use in the Carthaginian army, but it was the Romans who finally annihilated the species to supply ivory for the European market.” – Paul Bowles, “Baptism of Solitude”
“Security is a false god; begin making sacrifices to it and you are lost.” – Paul Bowles, “Notes Mailed at Nagercoil”
“My father passed away and this is what I found myself remembering—not the things that were, but the things that were not: the places not visited, the words not said, the stories not shared.” – Olga Grushin, “Portrait of My Father”
“No one can hurt you the way a mother can. No one can love you the way a mother can.” – Kira Madden, “The Greeter”
“What ultimately lets us move on is not acceptance but boredom.” – Mary South, “The Promised Hostel”
“If life is occasionally interesting in anecdote, it’s not in the actual living.” – Mary South, “Architecture for Monsters”
“In order to be, one must not only be to one’s self: it is absolutely imperative that one be for others. One must have a way of basing one’s being on the certainty that others know one is there.” – Paul Bowles, “If I Should Open My Mouth” (emphasis in original)
“Why were machines ever invented? And what is this strange calm confidence that mankind has placed in these senseless toys it has managed to put together?” – Paul Bowles, “If I Should Open My Mouth”
“The Keiths are Keiths because they are not particularly handsome, not particularly intelligent, not particularly kind. A Keith would never train to compete in professional sports or practice an instrument until he became a maestro. Neither would a Keith jump in front of a loaded gun, but he would help you gather the contents of your grocery bag if you spilled it on the sidewalk. On a city bus, your gaze would pass pleasantly over a Keith as though over a stretch of ocean. There are warehouses of Stephanies, warehouses of Daniels, warehouses of Mayas, Georges, Crystals, Jamals, and Nicoles, but I am in Keiths. It’s always sad when one of your Keiths is harvested,” – Mary South, “Keith Prime”
“Material prosperity is necessary as a foundation for the highest intellectual effort.” – John Burnet, Early Greek Philosophy
“The short story is the most purely artistic form; it expresses the ultimate meaning of all artistic creation as mood, as the very sense and content of the creative process, but it is rendered abstract for that very reason. It sees absurdity in all its undisguised and unadorned nakedness, and the exorcising power of this view, without fear or hope, gives it the consecration of form; meaninglessness as meaninglessness becomes form; it becomes eternal because it is affirmed, transcended and redeemed by form.” – Georg Lukács, The Theory of the Novel (trans. Anna Bostock; emphases in original)
“What is meaningless and tragic in the world has not grown larger since the beginning of time; it is only that the songs of comfort ring out more loudly or are more muffled.” – Georg Lukács, The Theory of the Novel (trans. Anna Bostock)
“Religion operates in different ways in different persons. It hardens some natures to pride and bigotry; it softens others to sentimentality and a refusal to confront life’s sterner demands. Some it inexplicably irradiates; some it brutalizes. Religion may be as Professor Freud said, civilization’s greatest illusion. If that is so, it may be thought of as resembling a sun long extinct whose rays still continue to warm, animate, and inspirit the minds of men. It instilled fear and awe in the cave-dwellers; it offered the image of an overwatching Eye; it became identified with all those dawning ideas of order and morality, of the ‘good’ and the ‘bad,’ of rewards and penalties. For thousands of years it has played a large part in the public and private life of mankind. Truth or illusion, it is ingrained in the human mind. There are two characteristics of men and women of religious conviction that have often been remarked. The first is their way of viewing the facts of the daily life—our humble daily life —as freighted with the greatest importance, particularly in relation to the future. Everything is under that overwatching Eye; everything is on a Grand Scale. Such men and women are seldom able to transmit to their children the conviction that illuminates them, but in that charged cell, which is family life —in that enclosed space of finely tuned acoustics—they transmit the concept of scale. Their children learn to think big, to make large demands on life, on themselves, and on others. This ‘scale’ has not necessarily any spiritual qualifications; it’s enough that it’s big, big. Hence the phrase ‘Beware of sharks and missionaries’ children.’ ” – Thornton Wilder, “New Haven, 1920” (emphasis in original)
“Fools admire everything in an author of reputation.” – Voltaire, Candide (trans. The Modern Library)
“My innocence would not have saved me if I had not been good-looking.” – Voltaire, Candide (trans. The Modern Library)
“The desire to order does not live far from the urge to destroy.” – Ben Ehrenreich, “When Animals Conspire”
“With love one can live even without happiness.” – Fyodor Dostoyevsky, Notes from the Underground (trans. unknown)
“The writer has lost a great deal of his influence, and he is situated now, if anywhere, on the margins of the culture. But isn’t this where he belongs? How could it be any other way? And in my personal view this is a perfect place to observe what’s happening at the dead center of things. . . . I am not particularly distressed by the state of fiction or the role of the writer. The more marginal, perhaps ultimately the more trenchant and observant and finally necessary he’ll become.” – Don DeLillo (interviewed by Gerald Howard in Hungry Mind Review, 1997; ellipsis in original)