“It is only by going a long distance from home that we can fully understand how short-lived and empty everything near at hand is; by searching for the unknown, we perceive how commonplace and evanescent everything is; only by wandering over the face of the earth can we understand how small the world is, and how very much alike it is everywhere.” – Guy de Maupassant, “The Rondoli Sisters” (trans. McMaster, et al.)
Category: Lit & Crit
“I am most particular about my bed; it is the sanctuary of life. We entrust our almost naked and fatigued bodies to it so that they may be reanimated by reposing between soft sheets and feathers. There we find the most delightful hours of our existence, the hours of love and of sleep. The bed is sacred, and should be respected, venerated and loved by us as the best and most delightful of our earthly possessions. I cannot lift up the sheets of a hotel bed without a shudder of disgust. Who has occupied it the night before? Perhaps dirty, revolting people have slept in it. I begin, then, to think of all the horrible people with whom one rubs shoulders every day, people with suspicious-looking skin which makes one think of the feet and all the rest! I call to mind those who carry about with them the sickening smell of garlic or of humanity. I think of those who are deformed and unhealthy, of the perspiration emanating from the sick, of everything that is ugly and filthy in man. And all this, perhaps, in the bed in which I am about to sleep! The mere idea of it makes me feel ill as I get into it.” – Guy de Maupassant, “The Rondoli Sisters” (trans. McMaster, et al.)
“It seems to me that real love must unsettle the mind, upset the nerves and distract the head; that it must—how shall I express it?—be dangerous, even terrible, almost criminal and sacrilegious; that it must be a kind of treason; I mean to say that it is bound to break laws, fraternal bonds, sacred obligations; when love is tranquil, easy, lawful and without dangers, is it really love?” – Guy de Maupassant, “The Log” (trans. McMaster, et al.)
“However great the love may be that unites them a man and a woman are always strangers in mind and intellect; they remain belligerents, they belong to different races. There must always be a conqueror and a conquered, a master and a slave; now the one, now the other—they are never two equals.” – Guy de Maupassant, “The Log” (trans. McMaster, et al.)
“The didactic mission of preserving the past as an object for the future, narrated by the stark finality of ‘never again,’ renders the structural violence of the present illegible while monetizing the promises of witnessing, thus profiting from the illusion that it is possible to coexist with the past.” – Julia Michiko Hori, “Berthing Violent Nostalgia: Restored Slave Ports and the Royal Caribbean Historic Falmouth Cruise Terminal”
“The cease of majesty dies not alone but like a gulf doth draw what’s near it with it: it is a massy wheel, fix’d on the summit of the highest mount, to whose huge spokes ten thousand lesser things are mortis’d and adjoin’d; which, when it falls, each small annexment, petty consequence, attends the boisterous ruin.” – William Shakespeare, Hamlet, Prince of Denmark
“The administrative staff is supposed to be at Radzivillov along with all the transport carts, but in my opinion, Brody would be more interesting, the battle is being fought for Brody. Ivan’s opinion prevails, some of the cart drivers are saying the Poles are in Brody, the transport carts are fleeing, the army staff has left, we drive to Radzivillov. We arrive in the night. All this time we’ve been eating carrots and peas, penetrating hunger, we’re covered in dirt, haven’t slept. I took a hut on the outskirts of Radzivillov. Good choice, my knack for this sort of thing is getting better. An old man, a girl. The buttermilk is marvelous, we had all of it, they’re making tea with milk, Ivan is going to get some sugar, machine gun fire, the thunder of carts, we run out of the house, the horse is suddenly limping, that’s how things are sometimes, we are running in panic, we’re being shot at, we have no idea what’s going on, they’ll catch us any moment now, we make a dash for the bridge, pandemonium, we fall into the marshes, wild panic, a dead man lying there, abandoned carts, shells, tachankas. Traffic jam, night, terror, carts standing in an endless line, we are moving, a field, we stop, we sleep, stars. What upsets me most in all of this is the lost tea, I’m so upset, it’s peculiar. I think about it all night and hate the war.” – Isaac Babel, 1920 Diary (trans. Peter Constantine)
“The terrible truth is that all the soldiers have syphilis. Matyazh is almost cured (with practically no treatment). He had syphilis, got treatment for two weeks, he and a fellow countryman were to pay ten silver kopecks in Stavropol, his fellow countryman died, Misha had it many times, Senechka and Gerasya have syphilis, and they all go with women, and back home they have brides. The soldier’s curse. Russia’s curse—it’s horrifying. They swallow ground crystal, at times they drink either carbolic acid or crushed glass. All our fighters: velvet caps, rapes, Cossack forelocks, battle, Revolution, and syphilis.” – Isaac Babel, 1920 Diary (trans. Peter Constantine)
“Foul deeds will rise, though all the earth o’erwhelm them, to men’s eyes.” – William Shakespeare, Hamlet, Prince of Denmark
“When a man is tired he mistakes the hopes of children for the knowledge of men.” – Paul Bowles, “He of the Assembly”
“He took home many women, and one day he found that he had en noua. He knew that was a bad disease, because it stays in the blood and eats the nose from inside. ‘A man loses his nose only long after he has already lost his head.’ He asked a doctor for medicine. The doctor gave him a paper and told him to take it to the Pharmacie de l’Etoile. There he bought six vials of penicillin in a box. He took them home and tied each little bottle with a silk thread, stringing them so that they made a necklace. He wore this always around his neck, taking care that the glass vials touched his skin. He thought it likely that by now he was cured, but his cousin in Fez had just told him that he must go on wearing the medicine for another three months, or at least until the beginning of the moon of Chouwal.” – Paul Bowles, “He of the Assembly”
“Everything we have come to call the arts seems to be in almost every 3-year-old. When these capacities are absent in a young child, we worry about them. There seems to be an understanding that the thing we call the arts has a critical function for kids, though we may have a hard time saying just what it is, especially if we call it ‘art’—but ‘it’ existed before the word for it existed, not just generally but for each of us. We were doing all of these things before we knew what it was we were doing, it seemed to be something coming from the inside.” – Lynda Barry, Making Comics
“The bounty of one single bowl of rice should be treasured till death.” – Cao Xueqin, The Dream of the Red Chamber (trans. H. Bencraft Joly)
“The god of the pit is the pit … I’m not sorry I’m made of sorrow.” – Kate Colby, “Tartarus” (emphasis in original)
“In the world, there’s nothing difficult; the only thing hard to get at is a human being with a will.” – Cao Xueqin, The Dream of the Red Chamber (trans. H. Bencraft Joly)
“Once you accept the fact that life isn’t fun, you’ll be much happier.” – Paul Bowles, Let It Come Down (emphasis in original)
“The ocean was waiting with grand and bitter provocations, as if it invited you to think how deep it was, how much colder than your blood or saltier, or to outguess it, to tell which were its feints or passes and which its real intentions, meaning business. It wasn’t any apostle-crossed or Aeneas-stirred Mediterranean, the clement, silky, marvelous beauty-sparkle bath in which all the ancientest races were children. As we left the harbor, the North Atlantic, brute gray, heckled the ship with its strength, clanging, pushing, muttering; a hungry sizzle salted the bulkheads.” – Saul Bellow, The Adventures of Augie March
“You must take your chance on what you are. And you can’t sit still. I know this is a double poser, that if you make a move you may lose but if you sit still you will decay. But what will you lose? You will not invent better than God or nature or turn yourself into the man who lacks no gift or development before you make the move. This is not given to us.” – Saul Bellow, The Adventures of Augie March
“In the world of nature you can trust, but in the world of artifacts you must beware. There you must know, and you can’t keep so many things on your mind and be happy. ‘Look on my works ye mighty and despair!’ Well, never mind about Ozymandias nor being just trunkless legs; in his day the humble had to live in his shadow, and so do we live under shadow, with acts of faith in functioning of inventions, as up to the stratosphere, down in the subway, crossing bridges, going through tunnels, rising and falling in elevators where our safety is given in keeping. Things done by man which overshadow us. And this is true also of meat on the table, heat in the pipes, print on the paper, sounds in the air, so that all matters are alike, of the same weight, of the same rank, the caldron of God’s wrath on page one and Wieboldt’s sale on page two. It’s all external and the same. Well, then what makes your existence necessary, as it should be? These technical achievements which try to make you exist in their way?” – Saul Bellow, The Adventures of Augie March (emphasis in original)
“Everyone tries to create a world he can live in, and what he can’t use he often can’t see. But the real world is already created, and if your fabrication doesn’t correspond, then even if you feel noble and insist on there being something better than what people call reality, that better something needn’t try to exceed what, in its actuality, since we know it so little, may be very surprising. If a happy state of things, surprising; if miserable or tragic, no worse than what we invent.” – Saul Bellow, The Adventures of Augie March
“I know man’s labor must be one of those deals figured out by Providence that saves him by preserving him, or he would be hungry, he would freeze, or his brittle neck would be broke. But what curious and strange forms he ends up surviving in, becoming them in the process.” – Saul Bellow, The Adventures of Augie March
“Those who fall ill on the 25th day of the 8th moon have come across, in a due westerly quarter, of some flower spirit; they feel heavy, with no inclination for drink or food. Take seven sheets of white paper money, and, advancing forty steps due west, burn them and exorcise the spirit; recovery will follow at once!” – Cao Xueqin, The Dream of the Red Chamber (trans. H. Bencraft Joly
“There is a darkness. It is for everyone. You don’t, as perhaps some imagine, try it, one foot into it like a barbershop ‘September Morn.’ Nor are lowered into it with visitor’s curiosity, as the old Eastern monarch was let down into the weeds inside a glass ball to observe the fishes. Nor are lifted straight out after an unlucky tumble, like a Napoleon from the mud of the Arcole where he had been standing up to his thoughtful nose while the Hungarian bullets broke the clay off the bank. Only some Greeks and admirers of theirs, in their liquid noon, where the friendship of beauty to human things was perfect, thought they were clearly divided from this darkness. And these Greeks too were in it. But still they are the admiration of the rest of the mud-sprung, famine-knifed, street-pounding, war-rattled, difficult, painstaking, kicked in the belly, grief and cartilage mankind, the multitude, some under a coal-sucking Vesuvius of chaos smoke, some inside a heaving Calcutta midnight, who very well know where they are.” – Saul Bellow, The Adventures of Augie March
“Before vice and shortcoming, admitted in the weariness of maturity, common enough and boring to make an extended showing of, there are, or are supposed to be, silken, unconscious, nature-painted times, like the pastoral of Sicilian shepherd lovers, or lions you can chase away with stones and golden snakes who scatter from their knots into the fissures of Eryx. Early scenes of life, I mean; for each separate person too, everyone beginning with Eden and passing through trammels, pains, distortions, and death into the darkness out of which, it is hinted, we may hope to enter permanently into the beginning again. There is horror of grayness, of the death-forerunning pinch, of scandalous mouth or of fear-eyes, and by whatever is caused by no recollection of happiness and no expectation of it either. But when there is no shepherd-Sicily, no free-hand nature-painting, but deep city vexation instead, and you are forced early into deep city aims, not sent in your ephod before Eli to start service in the temple, nor set on a horse by your weeping sisters to go and study Greek in Bogotá, but land in a poolroom—what can that lead to of the highest? And what happiness or misery-antidote can it offer instead of pipes or sheep or musical, milk-drinking innocence, or even merely nature walks with a pasty instructor in goggles, or fiddle lessons? Friends, human pals, men and brethren, there is no brief, digest, or shorthand way to say where it leads. Crusoe, alone with nature, under heaven, had a busy, complicated time of it with the unhuman itself, and I am in a crowd that yields results with much more difficulty and reluctance and am part of it myself.” – Saul Bellow, The Adventures of Augie March
“The more you love people the more they’ll mix you up. A child loves, a person respects. Respect is better than love.” – Saul Bellow, The Adventures of Augie March
“The advantage of lesser gods is that you can take their names any way you like.” – Saul Bellow, The Adventures of Augie March
“Then it happened. The lighted end of a cigarette touched me in the fleshy part of my upper left arm. That was all. It just felt like a sudden burn and nothing worse. The burned part did not seem to be any larger in area than that part which could be burned by the lighted end of a cigarette. At the time there was no feeling within the arm, that is, no feeling as to aches or pain … Then the second one hit. It nicked the top of my left shoulder. And again came the burning sensation, only this time the area affected seemed larger … And then the third one struck me … there came a crash. It sounded to me like someone had dropped a glass bottle into a porcelain bathtub … it seemed that everything in the world turned white … pure white … I did not know whether I was alive or dead, but I did know that my mind was still working … I brought my right hand up toward my face and placed it to the left of my nose. My fingers rested on something soft and wet. I withdrew the hand and looked at it. It was covered with blood. As I looked at it, I was not aware that my entire vision was confined to my right eye, although there was considerable pain in the entire left side of my face … a bullet striking the ground immediately under my left cheek bone had ricocheted upward, going completely through the left eye and then crashing out through my forehead, leaving the eyeball and upper eyelid completely halved, the lower eyelid torn away, and a compound fracture of the skull.” – Floyd Gibbons, “Wounded—How It Feels to Be Shot”
“How many concerns there are in the world, of which there’s no making head or tail, mostly because what persons do without any design is construed by such designing people, as chance to have their notice attracted to it, as having been designedly accomplished, and go on talking and talking till, instead of mending matters, they make them worse!” – Cao Xueqin, The Dream of the Red Chamber (trans. H. Bencraft Joly)
“When there’s no trouble, one should make provision for the time of trouble.” – Cao Xueqin, The Dream of the Red Chamber (trans. H. Bencraft Joly)
“The two words Yin and Yang are really one word; for when the Yang principle is exhausted, it becomes the Yin; and when the Yin is exhausted, it becomes Yang. And it isn’t that, at the exhaustion of the Yin, another Yang comes into existence; and that, at the exhaustion of the Yang, a second Yin arises.” – Cao Xueqin, The Dream of the Red Chamber (trans. H. Bencraft Joly)